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Not sure if you want critique, but I thought I'd just point out "make" and "made" in the third stanza. Does that work?
The last stanza is glorious! (Despite the fact that I have to put aside my British pronunciation for the last word
I also loved the last stanza. I was particularly pleased with the fact that I had written the previous one and didn't have to re-write any of it to accommodate it.
Now that you mention the penultimate stanza, something's bugging me. It's a rhythmic/scanning thing, something to do with the line "he sat there so smug", but I'm so rusty on poetry that I don't really know why it's bothering me. I tried counting syllables and counted through the whole poem and then just found myself even more bamboozled. I think the hickory trickery wickery clickery nickery terpsichore just got me all tied up in knots. And that's what's so brilliant about this - it's got this kind of spastic lurching rhythm and clangy clumpy but rather agile words (like drunk dancers in unlaced army boots) that really knocks about in your head.
So much so that after umming and ahing about whether to fav it yesterday and deciding not to (I'm quite needlessly tight with favs for some reason - I guess cos it's the only currency you've got on here and I want to keep the value high), I was compelled to come back here to look at it again. So yeah, it's got stuck in my head, and despite being utterly frivolous, has an atmosphere you can almost taste (hickory or chickory - and what do they taste like anyway?).
Well then, here you go: simeberg's
Thanks for this, it makes me grin ear to ear whenever I read it. Have a cigar for me. I'll smoke a marlboro in your honour.
Ash.
=Awesomeness